Thursday, April 29, 2021

Big Hair

Artist: Big Hair
LP: 7" single
Song: "Puppet On a String"
[ listen ] 

Last weekend Jan and I decided to go for a Sunday drive to West Seattle for breakfast (the big West Seattle Bridge is out of commission since it's evidently cracked, so we had to go the long way around). We ate at Easy Street Café, then I suggested we browse in the record store to practice for our upcoming trip together to Minnesota. I've got quite a few record stores on my list in Minneapolis and St. Paul, so I wanted to be sure we'd manage.

I'm happy to report that things went well! Also, I found some pretty amazing records. Someone had brought in a nice bunch of early '80s (1980 to 1982) British goth/new wave 45s, similar to the earliest releases on 4AD, but on other labels that were also around at the time. One of them is this incredible version of "Puppet On a String" by Big Hair, released on Fresh Records in 1980. Discogs doesn't list any other records by Big Hair, which is unfortunate for my collection...but I suppose it's good news for my pocketbook.

[ Easy Street Records and Café in West Seattle ]

Sunday, April 18, 2021

Dick Mine

Artist: Dick Mine
LP: Dick Mine's Favorite Song Collection
Song: "Hell Blues"
[ listen ]
 
Here's something nice and mellow from classic Japanese crooner Dick Mine for a nice and mellow Sunday afternoon in spring. I really was going to try to not make fun of Mr. Mine's unfortunate name, since that seemed a little too obvious... but then I was faced with this sort of thing, even with the 'safe search' turned on, when trying to scrounge up images of the singer on the Web. Oh well. 
 
Dick Mine had his first hit with "Dinah" in 1934, and his last big number was "Modern Age," a duet with Noriko Awaya in 1982. More on Mr. Mine can be found on Wikipedia here, and "Hell Blues" lyrics are included below in both Japanese and English, the latter thanks to my Google Translate app...though the English version reads a bit like the lyrics to a Cocteau Twins song.
 

[ Dick Mine: October 5, 1908 — June 10, 1991 ]

Tuesday, April 13, 2021

Men Without Hats

Artist: Men Without Hats
LP: 7" single
Song: "The Safety Dance"
[ listen ] 
 
I've inadvertently become a new Safety Captain at the Wallingford Post Office. Everyone got a letter in the mail a few weeks ago requesting submissions for a new safety slogan for the Seattle District of the USPS. There was an email address for submitting the slogans, so I came up with a ridiculous one and sent it in: "We are gonna' deliver for you...or we will die trying!" I instantly got this reply: "Thank you for volunteering to be one of the new Safety Captains! We will notify your station manager, and more information will be forthcoming. 
 
How was I supposed to know that anyone who actually opened the letter and read it all the way to the bottom automatically became a Safety Captain? Oh well. My first order of business will be the introduction of a simple "safety dance" that all members of the Wallingford mail carrier team can perform each morning in order to remind themselves to always proceed with caution.
 
[ Men Without Hats ]

Friday, April 9, 2021

Prince and the Revolution

Artist: Prince and the Revolution
LP: 7" single
Song: "Mountains"
[ listen ] 
 
One of the places I'm looking forward to visiting on my upcoming trip to Minnesota in May is Paisley Park, Prince's estate which is now a museum. Have I already wondered on here if I've got more Prince 45s than anyone else in the cities of Seattle, Shoreline, and Tukwila...put together? "Mountains" was released in 1986 as Prince's follow-up to his chart-topping hit "Kiss." Unfortunately, "Mountains" grew breathless from scaling the charts and, after peaking at only #23, it turned around and headed back down again. If you ask me, it's a fine song...and plus, look at those abs!
 
[ Prince Rogers Nelson: June 7
, 1958 — April 21, 2016 ]

Saturday, April 3, 2021

Doris Day

Artist: Doris Day
LP: Love Me Or Leave Me
Song: "Stay On the Right Side, Sister"
[ listen ]
Song: "Love Me Or Leave Me"
[ listen ]

I loved Doris Day...but she left me anyway. If Doris hadn't died in the spring of 2019 (or anytime thereafter), she would be celebrating her 99th birthday today! Is anyone else taken aback by the fact that James Cagney's ham-fisted turn in "Love Me Or Leave Me" was nominated for a Best Actor Oscar in 1955, whereas Doris' moving and highly dramatic performance as singer Ruth Etting was ignored? It's preposterous! Happy Birthday, Doris Day. You deserve the gold.

[ Doris Day: April 3, 1922 — May 13, 2019 ]

Friday, April 2, 2021

Earthquake (1974)

EARTHQUAKE — ...Or, What Not to Do When Disaster Happens to You

Director: Mark Robson

Writers: George Fox, Mario Puzo

Music: John Williams

Actors: Charlton Heston, Ava Gardner, George Kennedy (of course), Lorne Greene, Geneviève Bujold, Richard Roundtree, Marjoe Gortner, Barry Sullivan, Lloyd Nolan, Victoria Principal, Monica Lewis, Pedro Armendáriz Jr., Donald Moffat, Walter Matthau (cameo)

Run Time: 123 mins | Country: USA | Release Date: November 15, 1974

Best Uses: Summer outdoor screening in open area of a park, like a soccer field or a baseball diamond, with no tall trees nearby.

* * * * * * *

I'm not sure why I had a sudden craving for an earthquake disaster movie this week, but with the ongoing COVID pandemic and after four years of living under the acid and vinegar dictatorship of Donald Trump, I guess I just wanted to watch a bunch of people who were having an even worse time than I was. 

As is customary in a disaster film, EARTHQUAKE presents us with an array of characters who are living their everyday lives before the disaster strikes. These lives happen to be lived in Los Angeles, California. Charlton Heston and Ava Gardner are having marital problems, partly because Charlton is flirting with the idea of running off with Geneviève Bujold, a recently-widowed single mom and struggling actress who's just landed a small role in a film. 

(I had been looking forward to seeing Ava Gardner in EARTHQUAKE, but she is given little to do aside from throwing fits in which she whips her wig around and spews lines like, "God DAMN you!" in that overly-dramatic way that classic Hollywood stars of the '40s and '50s did in the 1970s, when they could finally let loose with the on-screen profanity that had been building up inside them for decades.)

[ Ava Gardner and Charlton Heston in EARTHQUAKE ]

Lorne Greene is the head honcho at the company Charlton Heston is working for (doing something-or-other...I forget), and he is also Ava Gardner's father. That's right. Born in 1915, Lorne Greene was just seven years old when he fathered little Ava, who was born the day before Christmas in 1922. In the scenes in which Ava addresses Lorne as "Father..."—even though we haven't yet had a chance to do any research about their ages online—we still know intuitively that something is wrong. It's hard to imagine that this sense of something being "off" in these scenes wasn't hanging heavily in the air on the set. One can only assume that everybody was just too damn scared to inform movie-star diva Ava Gardner that the role of her father would need to be recast for Charlie Chaplin, age 85. 

George Kennedy is a renegade police officer forced to take a leave of absence after inadvertently destroying Zsa Zsa Gabor's hedges in a car chase; Richard Roundtree is a motorcycle daredevil preparing to demonstrate his skills on a loop-de-loop course in hopes of wowing a talent scout booking new shows for Las Vegas; Barry Sullivan must have been one of the elderly experts wringing their hands over the forecast of pending doom...but I'm not sure which one, since I don't think I'd seen him in anything since "Queen Bee" back in 1955. 

Marjoe Gortner plays a grocery clerk-turned-executioner (more on that later) who takes Victoria Principal hostage, and Victoria Principal does very little in this film aside from being taken hostage. I saw Victoria's name in the opening credits, but then didn't recognize her at all in the film. I guess I was expecting her to look like she did in the Jhirmack commercials of the early 1980s, but instead she looked like this. Walter Matthau has a cameo as a drunkard, supposedly to provide some comic relief, though failing at both.

None of that really matters, I know. The real star of this movie is the earthquake! The doggone thing goes on for about eight minutes and fifteen seconds, not counting the aftershocks. (I looked it up and learned that a 9.0 earthquake could indeed run somewhere between eight to ten minutes.) In the film it seemed excruciatingly long. A new sound system was developed for the release of this film—a system that literally shook the theater to simulate an actual earthquake! It even cracked the plaster when EARTHQUAKE was screened at the Grauman's Chinese Theater in Hollywood. I couldn't help but wonder what sonic effect the system would produce every time Ava Gardner snapped her wig.

During this 8-plus minutes of shaking, we see lots of people who were formerly indoors go running outside into the downtown streets of Los Angeles, where they are then conked on the head by falling chunks of cement or by deadly shards of glass from atop the city's buildings. Seismologists race toward bookcases which proceed to fall upon them; we see Geneviève's innocent young son on his bike as he is thrown into an irrigation canal and is then in urgent need of rescue; we see a truckload of cows go careening over the side of a freeway ramp; we watch as the famous Capitol Records building is slowly reduced to rubble...and we see the Mulholland Dam begin to crack. All of this is very exciting. 

 
[ Los Angeles in EARTHQUAKE ]

The aftermath of the quake is peppered with aftershocks, and we see both the best and the worst of humanity on display. The best: George Kennedy redeems himself after destroying Zsa Zsa's shrubbery by organizing survivors to assist the townsfolk who are trapped under rubble. The worst: Looters! Well, three of them...and they're hippies. You would probably assume that LA. looters would have a  bunch of car stereos or maybe even cold hard cash stashed in their looters' suitcase, but actually it seems they've raided the jewelry case at Granny's Attic Thrift Store. Their case is filled to capacity with strings of pearls and brooches! The looters are subsequently shot dead by Gortner, who has been called to civilian patrol duty and is now wildly drunk with his newfound power. The scene is preposterous, even by this script's exceedingly low standards, and would have been better left on the cutting room floor.

 
[ Looters' booty in EARTHQUAKE ]

A special shout-out goes to Monica Lewis, who plays Barbara, the office secretary to bosses Charlton and Lorne. She is monumentally dedicated to her work, even when disrespected by her male colleagues in times of extreme crisis. First she is shoved out of the office elevator when trying to escape the quake with the others (this actually turns out to be a good thing); then when the stairwell comes to an abrupt end and they need something elastic to use as a makeshift seat-belt for the office chair they'll be lowering to evacuate people to relative safety below, Lorne screams at her (yet again?), "Barbara! Take off your pantyhose, damn it!" Once they've finally lowered the ailing Lorne Greene to safety, Charlton's mind turns to his mistress. He's concerned about her, sure, but he's just not accustomed to making these types of phone calls for himself. After all, that's what secretaries are for. "Barbara! Do you know Denise Marshall?" (yes) "See if you can get to a phone; find out if she's alright!" Barbara asks the obvious, since even the stairs are currently out of order: "Are the phones working?" Charlton: "Try! Please!!" "Okay," Barbara answers breathlessly as she dashes off to find a phone. Poor Barbara.

[ Monica Lewis and Charlton Heston in EARTHQUAKE ]