Sunday, April 18, 2021
Dick Mine
Tuesday, November 10, 2020
Hibari Misora
Hibari Misora is a national treasure in Japan, and one can certainly see why. Hibari's parents reportedly realized early on that they had something special in their young Kazuo Katō (she changed her name to Hibari Misora, meaning "lark in the beautiful sky," with the advent of her recording career when she was 12) and her father, a fishmonger, spent a big chunk of family savings to launch her musical career. Her first hit single, released in 1949, was called "Kappa Boogie-Woogie." Hibari went on to release a whole slew of records, including the 1972 album I've posted here. She also appeared in more than 160 films, including this one:
From the picture on the cover of her "A Woman's Poem" LP and in the photo below, Misora reminds me of a Japanese Barbara Stanwyck! Does anyone else see that too? In 1957 Hibari was attacked with hydrochloric acid at the Asakusa International Theater by someone Wikipedia describes as "an overly enthusiastic fan." (I'd say I'm an overly enthusiastic fan of Doris Day... Is it strange that I've never considered throwing acid on her?) Song lyrics are included below, in Japanese.
Monday, November 2, 2020
Plastics
Sunday, January 21, 2018
Southern All Stars
Saturday, July 22, 2017
The Tigers
[ listen ]
Sunday, June 25, 2017
Peggy Hayama w/ Hibari Children's Choir of Leon San Jonet
I couldn't find anything quite so organically endowed with as much gay pride as this 1966 Japanese cover of Rogers & Hammerstein's "The Lonely Goatherd" from the 1965 Julie Andrews musical THE SOUND OF MUSIC. There's even rainbow-colored lettering on the cover. Sadly, Peggy Hayama did not live to see this tribute; she passed away from pneumonia just over two months ago at the age of 83.
Saturday, June 24, 2017
Ricardo Santos and His Orchestra
It's Gay Pride weekend! In other news, here's a lovely instrumental tango (with ethereal mermaid vocals) that you can let wash over you on this overheated Seattle Saturday afternoon. The track, from 1957, is performed by the prolific and mysterious Ricardo Santos and His Orchestra. There are plenty of Ricardo Santoses on the internet—like this one and this one and this one and this one and this one—but it's impossible to tell which one of them has, or at some point in the past has had, an orchestra. I'm putting my money on this one.





















































